INDEXED IN «Vexxed»
X001
X001 (Digital and handmade collage. 2007.)

X001 (Digital and handmade collage. 2007.)

Over the last three or fours years, due to a select few incidents that I wish not to recollect really, I’ve lost a number of essential works,  creative pieces, and photos: some are in storage, some lost on malfunctioning hard drives, some lost at a gas station on Staten Island, NY. X001 was the first of a series of collages I was going to do — I apparently had more time and inspiration to do these things at the time, especially given the fact that it clocks in a lot of computer time. I’m already on a computer enough as it is with work, music, and various social networking functions. I really liked how this piece turned out and wanted to more. A twisted fantasy world that tapped more into the surreal, arty side of the collage work I was already doing for promoters and bands. I was planning on putting a number of these in Vexxed, a zine that I’m still spinning in the mud about actually completing. Perhaps this will happen sometime this year.

Over the last couple of years since moving to England my graphic output has become more utilitarian for the sake of income and holding a job and not so much for creating art. I think most of creative energy has been sucked into music right now and any fuel for visual work has been exhausted in the big 8-cylinder, Ford Bronco that is the mainstream “creative” industry. This will, I hope, change soon. I would love to do more art-based pieces soon as the ideas are there; it’s just the time and energy that needs to be mustered up from somewhere.

I have until recently been doing all my work since 1999 under the moniker The Wax Museum — an entity which has closed as of this year. I’m starting afresh and figuring out a best angle of approach for the new: under the name JJD Works. Some developments with this should take place sometime within the next six months.

THE INTERVIEW

It is nighttime in the spring in our place in London. Previously we had broken into a treacherous construction site (something being built in the 2012 Olympics scheme) and lifted numerous sheets of wood, bricks, and cement and transported them back to our place in a large, abandoned baby buggy.

Over the course of a few days, we then built a sound-proof studio in the backyard. Sometime shortly thereafter we are phoned up by a writer for a music magazine who is requesting an interview. We choose a children’s playground in a rundown council estate at 11:30pm. We bring along six cans of cheap beer and meet the interviewer. We talk for a while and then find a piece of wood board and proceed to use it like a snowboard to perform rail slides down the edges of the children’s slide. At the bottom of the slide there is a pool of what appears to be scorched engine oil. After sliding the rail on the board we land in the oil and disappear into the Black Lodge*.

*As represented in the television program “Twin Peaks”. This writing is an excerpt from VEXXED.

WORLDS COLLIDE IN A ROCK IN TIME

Worlds Collide
“Worlds Collide In A Rock In Time” — excerpt collage from Vexxed (by JJD).