INDEXED IN «JJD Works»
AUGUST LOVE TRIANGLE

JJD WorksIt seems out of place but the old city of London feels autumnal these days. I even had a mild chill despite wearing a jacket when waiting on the platform for the tube this morning. In a strange way it was comforting; good ol’ gray and glum England.

After a number of months of a hazy transition out of one old shell into a brand new shell, some clarity was found in regards to where my world of design was heading. The old hat that I was part of, The Wax Museum, is no longer and I have gone on my own to start anew under a more personal moniker: JJD Works. I thought about how to condense over 10 years of work under a number of different names and guises into something that was to-the-point and conveniently accessible, as well as being really easy to update as my track record tends to filled with eons of site neglect when the classification of editing gets anywhere out of the realm of “fast” and “lazy”.

I’m also happy to announce, at least in a pre-liminary form, that Savage Furs are going to be debuting the live show in September. The date and venue are set but just banging out the details right now so announcements will come soon. Thanks go out to Del Jae and Chris Flatline for spending numerous hours in a cramped Limehouse rehearsal room working out the musical points and maxing out a very small PA.

Finally, there’s been word buzzing around about the Texan video artist (just straight up artist?) Tommy Boy and curiousity led me to a mix he recently did with Vice Magazine. I highly recommend it; a wide variety of outsider electronic music from now and then, including Houston-based Indian Jewelry, who are quite good. You can find this mix here.

X001
X001 (Digital and handmade collage. 2007.)

X001 (Digital and handmade collage. 2007.)

Over the last three or fours years, due to a select few incidents that I wish not to recollect really, I’ve lost a number of essential works,  creative pieces, and photos: some are in storage, some lost on malfunctioning hard drives, some lost at a gas station on Staten Island, NY. X001 was the first of a series of collages I was going to do — I apparently had more time and inspiration to do these things at the time, especially given the fact that it clocks in a lot of computer time. I’m already on a computer enough as it is with work, music, and various social networking functions. I really liked how this piece turned out and wanted to more. A twisted fantasy world that tapped more into the surreal, arty side of the collage work I was already doing for promoters and bands. I was planning on putting a number of these in Vexxed, a zine that I’m still spinning in the mud about actually completing. Perhaps this will happen sometime this year.

Over the last couple of years since moving to England my graphic output has become more utilitarian for the sake of income and holding a job and not so much for creating art. I think most of creative energy has been sucked into music right now and any fuel for visual work has been exhausted in the big 8-cylinder, Ford Bronco that is the mainstream “creative” industry. This will, I hope, change soon. I would love to do more art-based pieces soon as the ideas are there; it’s just the time and energy that needs to be mustered up from somewhere.

I have until recently been doing all my work since 1999 under the moniker The Wax Museum — an entity which has closed as of this year. I’m starting afresh and figuring out a best angle of approach for the new: under the name JJD Works. Some developments with this should take place sometime within the next six months.