JOURNAL
CLAN OF SQUILAX

Filling this light blue page with a spot of stupid humour; the remnants of an inside joke — or non-joke. I suspect everyone has a shared library of puns, one-liners, or running verbal gags with their mates. Yesterday I was doing some light music research on a short break from a particularily grueling work project to come across the band Clan of Xymox. I have their first two albums on vinyl LP and they are the only two that I’ve heard or own. They are a good listen and the oddly-titled track “Muscoviet Mosquito” is a standout, also being part of a 4AD compilation from around that time. “Stumble and Fall” is notable as well. These are both from the first LP.

Sometime in the early naughties I was travelling through the middle of British Columbia in a beaten up old van. This trip was taken for the purpose physically bombarding patrons at venues with amplified soundwaves. They actually paid money to have this happen to them. During this trip, as with many trips around this period, there was a large shoebox with grungy cassette tapes positioned between the driver’s seat and the front passenger seat. One of my fellow musical travellers had an eclectic taste in music ranging from old delta blues to synth-pop and he pulled out a Xymox (note the lack of “Clan of…”) cassette. The cover was considerably more techno influenced than their 80s dark romantic leanings of previous albums. I don’t really remember the music as that whole time in the van is usually in my head mashed up into one great blur but as we all became victims of “van mouth”, an infliction that causes the infected person to spout non-topical garbage as a result of many long mindless hours in a van, we started wondering what a “Xymox” was? It sounded Greek. Was it greek? Was it a beligerent alien from some foreign planet, covered in scales and slime? Perhaps the letters X Y M O X were chosen for aesthetic reasons.

Timing would have it that this conversation — I think — popped up in our travels through the aptly titled Shuswap region of BC. Co-incidentally there’s a small village — er, gas station and bridge — a little bit east of the town of Chase called Squilax. Similar sounding to Xymox, no? For some reason it was incredibly funny at the time. A band of romantic goths coming from a small intersection of a village; their band’s name a direct reference to their location. I think I accidently referred Clan of Xymox with this name a few times afterward. This is obviously not going to be funny if you weren’t there. The Loopfax, however, is a different matter and perhaps I’ll come to that next time…

Tamaryn

Typing this down upon discovery, San Francisco duo Tamaryn have just released their debut LP “The Waves” on the label Mexican Summer. This is something to look forward to as their EP “Led Astray Washed Ashore” was quite good and was one of the few recordings that I bought last year. This recording was released on the cult (?) indie/underground label Troubleman label — a label for those in the know has been putting out many fore-running records over the last decade or so. Although the many comparisons to such artists as Siouxsie Sioux, Cocteau Twins, etc. are valid; I pick up sounds comparible to groups like Mazzy Star, Bowery Electric, and even contemporary artists like Zola Jesus.

I admit I was a bit biased to this group when discovering them as one of the members, Rex Shelverton, was in a number of bands that I’ve followed for years: Portraits of Past, The Audience, Vue, Bellavista, etc. All somewhat different from one another but tied together by some common aesthetic threads. Portraits of Past’s LP on Ebullition was a hardcore classic in my teenage years and The Audience’s only LP was played quite frequently. I even had the chance to share stages with that band and Vue a number of times in various cramped clubs in Canada and the US. I wasn’t really sure what they were up to in more recent times but I then came across this newer project, recognizing Rex’s name, through their associations with the boutique NYC label, Wierd Records. It’s good to hear that there is still music being made (along with Portraits of Past, who have kicked up again after a decade and recorded a new EP).

Jumping to the final sentence, you can check out a track from their new record here. Have a good evening.

SOFTVAULT : LET YOUR BODY LEARN

PrimesWell, here’s a little mini-series that I’ve started in this little corner of online space for both of you that might be interested. Stashed away on the dustier parts of the several hard drives that I own lay dorment older musical excursions that never made it public. As I was moving items from shelf to shelf I became re-acquainted with the first Primes “s/t” album. This was the first phase of the group in it’s more trashy, distorted, electro-punk phase. Upon listening to the record again only recently a lot of the tracks aren’t as lo-fi as I had them as memorized in my head, especially in today’s musical climate where more and more lo-fi and unorthodox recording techniques are becoming more of the norm, especially as far as electronic music is concerned.

Front and back of the un-released split 12"

Front and back of the un-released split 12"

During the recording and writing of that particular record, Primes took a stab at doing a cover — one of the few recorded covers that I ever did in a band (actually, I can’t think of any other recorded covers that I have done come to think of it). We did an incredibly trashed out and squelchy version of Nitzer Ebb’s “Let Your Body Learn” with Miss X taking up vocal duties. This was to be on a split 12″ record with another Vancouver synth/electro/punk group at the time called Bakelite. This was recorded along with an album A-side and was ready to go to press. We even had a brief mention on the official Nitzer Ebb site about this particular release coming out. Due to some issues that I don’t remember that arose with the record label, this never actually made it to press and therefore was never actually released. But you know, someone out there might appreciate this more frazzled, haywire version on Nitzer Ebb’s classic track. So yes, they might. Here it is for download and perusal:

PRIMES “Let Your Body Learn” (2004)

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DOWNLOAD

P.S. > The artwork that adorns this post is some of the only remnants of artwork that I have from that point in time.

VALID? OR VOID?

My friend Michelle Matzke, from whose blog I lifted this clip from, used to play the hell out of this track when we used to DJ a little new wave/new romantic/electro/weirdo night years called Movement. I equated Shrink’s tenure in the music scene to those of peers Klaus Nomi, Eddie & Sunshine or Tic and Toc — performance artists who in the late 70s/early 80s used that burgeoning scene as a medium for their art. I believe this may have been one of the few, if not only release he did. A bizarre film: a gold plated glam figure with an almost Flash Gordon flair at some posh dinner club — he looks like he might be in agony… or despair…

THEY DON’T LIVE HERE ANYMORE…
Ocean Falls house

Ocean Falls

It was almost a year ago that I scribbled out an ode to Sayward, this little spot of a town (village? clearing of trees with some houses?) that I lived in from when I was born until I was about two years old. At the time I was having some weird dreams about the place as I hadn’t been back there since I was, well, around the age that I left. The whole town had a vibe that can be best summed up as a Twin Peaks vibe; warm and friendly but surrounded by this beautiful yet unknown expanse of old, old wilderness.

This time around my prompt for writing is more physical; more tangible in nature — booking some autumnal flights back to the homeland for a visit with a non-Canadian visitor in tow. In anticipation of the trip the whole question of “what to do?” starts getting tossed around. How about seeing some crazy mountains? How about the cheap sushi? How about splitting a six-er of Kokanee? How about some gnarly old ghost towns? The first coming to mind being Brittania Beach, which is about a 30-45 minute drive north of Vancouver toward Squamish. Atmospheric could best describe the place, especially on a fog-laden day: the old mine (now a museum) looming over the town resembles a decaying staircase possibly used by ancient giants. In the foreground of this monstrosity is positioned what looks like a steroid-enhanced dump truck.

Brittania Beach

Brittania Beach

And what about other ghost towns? Some with stranger stories? As a young one I remember uncovering an old native village overgrown by moss in the rainforest and at the edge was a little mound that on top of it sat an ominous old well. Images of that and then looking down the bottomless well pop up in my mind from time to time, as well as rotting old mining foundations in the dark woods, passing by Haida burial grounds in the Queen Charlotte (Haida Gwaii) Islands, taking seaplane rides with my late father to random derelict forestry/fishing villages on the uninhabited west coast.

Until recently, I kept forgetting the name of this one town up far north; near Alaska — I remember seeing some amusing newcast about it years ago. “So, do you have two million dollars to buy a town?” was the snappy catch-line for this story followed by shots of a lone man riding a motorized lawn mower on some unkempt grass lining a street of houses that were totally empty. Then it cut to shots of the hotel, the shopping mall, the town hall, the grocery store — all empty. Everything looked “normal” except for the lack of people and the slight decay that was noticeable from the shots, but likely more decay would be evident upon closer inspection.

I’m not sure if two million was the exact figure but it looked like a good place to be to creep yourself out or to cut all ties from people.

From time to time I would humour myself and friends by saying some promoter with some money could drop a cool two million and buy the whole down and do some crusty, DIY music festival: the shopping mall could have the main stage and attendees could go from building to building to see a different show. The empty houses would be done up to house the festival goers or house some of the non-main stage events for the festival. Keeping the derelict look and feel somewhat intact for aesthetic reasons would make it all more chaotic. This all sounded like a good idea except for the two million dollars bit; that and it was only accessible by helicopter, small airplane, boat, or many hundreds of miles driving down a vomit-inducing gravel road.

What the hell was the name of this place? I found it recently. It’s called Kitsault (map location) and its history is interesting. It was built around 1979 or 1980 to provide housing for those employed at a molybdenum mine. The whole valley at the end of an inlet where the there was millions of tonnes of the stuff under the expansive old forest surrounding the settlement. The town at it’s height was about 1,500 people in population. A couple of years later, 1982 in fact, the stock prices on molybdenum crashed and the whole town picked up and moved and the town was abandoned. Unlike other BC towns that would demolish the houses and buildings before departure, this whole town was left intact.

And into the naughties the town was again in the spotlight, on sale again — no buyers the first time around — but this time for seven million. And to make things even more interesting it was bought by an Indian Canadian businessman/health care scientist called Krishnan Suthanthiran. His angle was to re-juvenate the town as a hot eco-tourism destination. Visiting the website, it seems like there’s an attempt to but a new-age meditation vibe into the town with its tagline “Heaven on Earth”, sections on “Wellness” and the managing body of the town named Chandra Krishnan Kitsault. Here are some photos (links from originating sites at bottom of this story) :

KITSAULT


Kitsault has an interesting history but Ocean Falls, in my opinion, looks for atmospheric and stunning. I’ve never been here before either although somewhat close passing by the remote island town of Bella Bella on a boat. Ocean Falls had a longer history; establishing itself in the early 1900s due to it’s hydro-electric potential being at a thin strip of land between two, totally separate inlets (map location). By the 1950s it got to it’s largest size, somewhere between 3500 and 5000 people and had one of the largest hotels in the province at the time. By 1970 the town started to decline and the town’s employer and owner started to pull out of the operation. By 1980 the mill had closed. Now the town has a few die-hard residents and from what I can find out has a max population of around 100 people or so — I’m guessing some of these residents are seasonal. Ocean Falls is only accessible by boat or seaplane. No roads — the town is tucked away in an endless expanse of formidable mountains.

Ocean Falls receives so much rain each year that residents are called “Rain People”.

Massive apartment complexes rotting away in the trees / Old mill floors covered in rust and eroded bits of metal / Paint peeling on the walls in dozens of buildings / Roots ripping apart foundations / White mist floating through the leaves and windows / Bears rifling through collapsing cupboards / The nearest town being many many miles away

There is a great atmosphere here — a great unshot photo essay — a great commentary on the industrial world forgetting a bit of itself and letting that bit get reclaimed by the remoteness of nature. There is one online presence for the town, a great archive, that gives the impression that it is a friendly and unforgettable place to visit, despite the eeriness the endless stockpile of photos — most of the following photos I have found from this particular site — would suggest.

OCEAN FALLS


OUTSIDE LINKS
www.landquest.com/resources/VancouverProvince-Sept14-2004.htm
halfsquatch.blogspot.com/2007/02/kitsault.html
www.kitsault.com
www.traveloceanfalls.com

THE TRUTH OF THE MATTER

MadonnaFrom The Desk Of
Dr. Sanusi Lamido Sanusi
New Governor, Central Bank of Nigeria (CBN)

Dear Friend,

THE TRUTH OF THE MATTER.

I am delighted to contact you on a private note based on your contract/inheritance funds claim, which has been programmed for transfer into your designated bank account through my department. I hereby apologize to you for the delay in releasing these funds into your account, which was caused by Prof. Chukwuma C. Soludo because of breach of agreement between Prof. Chukwuma C. Soludo and your so called partners in Nigeria who introduced you into the business.

Your Nigerian partners approached Prof. Chukwuma C. Soludo that they want to present you as a beneficiary of this fund as it was an OVER-INVOICING made when transferring contract/inheritance funds into various bank accounts abroad. So after the negotiation, we unanimously agreed that they (your partners) would give Prof. Chukwuma C. Soludo the sum of US$400,000.00 (CASH) on acceptance to assist them to transfer the fund into your account.

When he accepted the offer, they forwarded all your banking particulars to him for onward transfer. Immediately he made some fruitful effort on the business and demanded his US$400,000.00 as agreed. Your partners deviated from the agreement and decided to go through the International Remittance Department at his back and make a change of some vital documents in other to disappoint him and you also not knowing that the International remittance Department is also under his control. Then he got the knowledge of their evil plans and proves their illicit efforts abortive.

That is why you may have to been pursing this payment, spending unnecessary funds to some fraudulent individuals and impostors in Nigeria who claimed to be in charge to release your fund. Though they now parade themselves as staffs and managements of various banks, some even claim to be a Barrister of different types and some also go as far as claim staffs of the Central bank Of Nigeria; they are all deceiving them selves and will not be able to get the fund out of the Central Bank for you.

I want to re-emphasis to you that the fund of which you are the rightful beneficiary as acclaimed, is still with CBN and under my control as the new governor Central Bank. Now with my whole heart I want to enter into real business with you on a sincere agreement since your partners have disappointed you and the fund is still floating in your name waiting for a proper documentation and claim.

1. On an agreement, I assure you that I will transfer the funds US$35.9 million into your account. (Thirty Five Million, Nine Hundred Thousand US Dollars). That is the original sum, not previous as mentioned by your so called partners.
2. You will assure me of keeping my dealings with you to an utmost secrecy because of my position in the government.

3. You will promise to give me 40% of the total fund as soon as the fund gets into your account with a written promissory note signed by you.
4. I will assist you in making a proper documentation to make your claim genuine as a bonafide foreign beneficiary to the said fund.

5. You are to Re-forward me your contact address, phone and fax number, along with an account where you would like the fund to be transferred, if possible a virgin account.

I am also aware that some fraudulent individuals have been impersonating this office to contact you and other beneficiary as reported by the Central Bank of Nigeria security department.

I henceforth advice you to suspend any dealings from any group of person(s) either from the CBN or any other financial institution / prostates in Nigeria or overseas that might be contacting you in this purpose and endeavor to keep this information confidential until we finalize this transaction to avoid them using it as an advantage to scam you again or even make you lose your money.

Also on no account must you contact these partners any more, this is for my own safety and for the security of the funds. Because they will not get this fund and also on no account must you let them know of my contact with you.

Please reply this message urgently for further details.

Thanks for adhering to this instruction.

I await your favorable response.

God bless you.
Dr. Sanusi Lamido Sanusi
New Governor, Central Bank of Nigeria (CBN)
Reply to:slmyprivatebox1@gmail.com

GARY

GaryI was lifting myself off of the slightly damp grass after a brief afternoon sojourn in the park, leaving the monotony of the office briefly to catch up on some reading when I decided I would take the longer detour around the park to return to work. It was mild overcast day quite typical of the city. The wide, gentile pathway lead up a slight slope with benches at distance from one another on either side. One bench contained a sweating man in athletic gear looking blankly at the expansive lawns ahead. Another contained a plump looking man and a frail looking woman covered in a giant black parasol. There was no funeral in sight. Perhaps it was just their statement of fashion.

My leisurely stroll got me to the aforementioned slope within a minute or two. On my right past the benches I saw a man approaching the pathway. A large, bloated hiker’s rucksack choked his filled out frame which almost seemed to burst out of his ugly green knit jumper. His face was read and sweaty and despite being in what seemed to be his late thirties or early forties, somehow the affects of weathering did not age him entirely well.

The main thing I noticed, and I tend to observe people from a distance quite often, is that he seemed to have singled me out in this park. Perhaps I was a bit more approachable than the more stuffy business types or aloof tourists that tread the park. His eyes were set on me. Of course I knew that within a few seconds some sort of interaction was going to take place.

“Excuse me, are you local around here?” he said. Fair enough question. It was common to be asking a tourist for directions. The blind leading the blind.

“Sure I guess.” I said, hesitant of my somewhat short time in this city.

“You sound American.”
“I’m actually Canadian.”
“Hmm…” he said. No comment there. “Ok, do you know how I’d get to Hammersmith from here?”

Well fuck. Not a part of town I’m in regularily. I think… “…if you’d go St. James’s Park station,” at this moment I point in the direction of “you’d be able to get the Tube to…”

“Nah, I’m going to walk.” he interrupts, shaking his head as for some reason regular city transport was not an option. This seemed to be all fine at first. One could mistake him for some sort rugged cross country type.

“Do you know where the Isle of Wight is?” he says.
“Sure do.”
“Well, I’m from Scotland and was visiting down there for a bit. I’m now heading to Hammersmith to meet a friend to go to Oxford.”
“Ok.” At this point I’ve got places to be so I let the tourist go on his way but he puts his hand out and says: “Come on, walk with me for a bit.”

I start getting a bit suspicious but am a bit curious where this is going to go. I’ve been in places like this before. An elaborate courtship for financial favours. An overtly friendly stranger. The strange predicament this man is in. In this case it would seem to be his refusal to take the tube.

“By the way,” he says. “My name is Gary McDermott*”
“Mine is Jack.” I say. The use of only the first name was intentional.
“So yes,” he continues “I’m on my way to Oxford and have to get to Hammersmith. I’m having one bitch of a day, I tell you. I got my wallet swiped and had to cancel all of my credit cards and bank cards…”

There was a bit of a silence as I was still walking forward, looking for the point where my path would diverge from his. He seemed pleasant enough but sadly I know that humans aren’t beings of absolute optimism and in this case this man was obviously setting me up for request of assistance, but in a really roundabout way.

“Jack, what do you do for a living?”
“I’m a graphic designer.”
“Well, that’s quite nice.” he says, acting out a gesture of feigned enthusiasm. “Do you mind if I ask how much you make a year?”

For a fleeting moment I had a thought that this man might be the stereotype of those entrepreneurs from the old days. The ones in the old black and white films that show up in some American city with only a small wad of cash, a grand idea, a suitcase and a pair of fine pressed slacks. Say Sonny, why don’t you and me and you go into business together? We’ll be partners. Whaddya say, pal?

I at this point explain I do alright and do not divulge any numerical answers.

“Well,” he says “I’d think that working in this part of town can’t be treatin’ you too bad.”
“Nope, doing fine.” I say. “Well, I’m heading off this way. The way you want to head is down that way toward Hammersmith if you’re walking.”
I point in the direction of Hammersmith. I think it’s that way. I lift my thumb and point it over my own shoulder to indication the direction I’m going. The almost total opposite direction. I can see the man starting to tense up a bit, needing to advance the conversation a bit further in bigger, swifter steps.

“Jack, can I ask you a question?”
“Yeah, sure.”
“Rather, can I ask you a favour?”
I sigh: “Well, what’s that?”

“Do you trust me?”

That was a bold step forward. Flashbacks of some sort initiation to the Church of Scientology come to me. Or worse off, Jim Jones. This is perhaps an over-reaction but hell, the prologue to this whole courtship dance of favours was a bit much. I came up with a reply:

“Well, considering I’ve gathered about two or three pieces of information from you in about a couple of minutes that would be ‘no’.”

This was not the answer this man was expecting but how else would you answer this?

“What do you mean?” he says.
“It’s a bit of tall order to trust someone I’ve just met.”

At this instant the man gets irritable and defensive and his best new friend, that being me, is no longer his friend. Without even saying another word he’s quickened his pace in the direction that I had pointed out him all of but a minute ago. Despite my lack of engagement into this weird little social interaction, I’m feeling a bit displeased with my being “used”.

Perhaps the man was going to ask me for money; for help. I’m an empathetic person and one that understands the plights of folks needing a hand. A more socialist approach sitting on the other side of the more conservative fence where every person fends for themselves. The mindset of only helping yours truly or anyone else that might be worth knowing to get a leg up in the big pyramid that is western society. Thinking how I might have approached the situation if I was in his shoes: perhaps contacting a relative or going the police or a traveller’s help centre may have been more effective than skulking around the park like a sweaty nomad. It would have also perhaps been more effective to make his point in about 4-5 sentences or less.

I think about it for a couple of minutes more on the return journey to the office; better ways I could have handled it. Perhaps I could have been frank and told him if he was hard up there were places he could go. Perhaps he thought I was a mindless money minion like a lot of the people buzzing around the area.

It took me about four minutes to get back through the doors of my building. He may have just been rounding the north side of Knightsbridge. Another two hours to Hammersmith perhaps? It would give him plenty of time to think about it.

* GARY MCDERMOTT IS NOT THE ACTUAL NAME OF THIS MAN IN QUESTION.

MORE

IN BITS
RECENT TRAVELS TO THE SOUTH: A PICTORAL STUDY

SECOND LAYER : In Bits

“THE YEAR IS 2234, AFTER THE GREAT WORLD WAR…”

Warriors of the Year 2072And then it would continue as something like this:

“…the world has been totally annihilated by nuclear war and man’s greed. The earth’s surface has become an arid and scotched desert of sand and ash. Civilization has deteriorated into bands of nomadic warriors…”

And this would be said in a somber and serious sounding overdubbed narration, perhaps with a bit of reverb, over panning shots of some deserted ruins and skeletons crumbling in husks of eroded automobiles. This would be accompanied by some drone-y, ominous synthesizer music with some weird arpeggiated synth blips. From that point onward the film would be a lot of modified, menacing looking vehicles, men and woman running around sweating in leather or weird, fetishistic armour and less emphasis on acting (especially of the “method” style) and more upon thrills and visual eye candy.

The 1970s ushered in this heightened interest in film making; from more desolate films such as Silent Running, Dark Star, Logan’s Run and more notably Death Race 2000 and then towards the end of 70s and early 80s more popular sci-films that reached more of the general public consciousness such as Stars Wars, Alien, Bladerunner, Mad Max and even Disney’s Black Hole. These films varied in style and tone: some following more a dreamy-eyed post-Barbarella style of fantasy-fiction and others far more dystopian, gritty, and even terrifying.

But one common thread that seems to run between all of them is that they seem to run off the plot line of a Western film: one man/woman (or small group) in a struggle against a larger and corrupt governing body. In a film like Bladerunner it follows more closely the aesthetic of a 40s/50s detective/crime film than anything else, riffing on classic themes that have run through many ages of human storytelling.

Mad Max was a bit of blockbuster in the sub-genre of “post-apocalypse” films and it’s two sequels even seemingly more of a mainstream success. It combined sci-fi and Western and sort of a gritty “punk” aesthetic plus had a lot of car chases and explosions like a lot of action films that seemed to pop up in the 1970s that attracted a lot of different types of viewers.

I remember when I was younger that Mad Max wasn’t the only film such as this and there was an onslaught of dystopian science fiction in the early to mid 1980s. I think the home video cassette player (whether you were VHS or BetaMax) had a lot to do with this. It also almost seemed quite cheap to do such a film — high budget FX films were there in the wake of Star Wars and other such films but even the maverick film-maker could get permission to film in some gravel pits, dress up a bunch of B-list actors in leathers and metal plates, give them a few one-liners and then race them around shooting un-convincing laser guns at one another. You’d then get someone to edit it and the someone with a synthesizer to drone over top of the whole thing.

2019This whole school of film came up in my life recently, mainly in conversation outside of clubs and over a few drinks. There was a film called Cherry 2000 that came out in 1987 that I had mentioned, starring a then up and coming Melanie Griffith. I hadn’t seen it since I was young and after viewing some clips again more recently it was quite a crap film, and a very misogynist one at that. The premise involves a post-apocalyptic future where a bunch of sad men slobber after busty female “love” robots and one particular sad man accidentally short circuits his in bath tub during a hot and steamy snog. The rest of the film involves this guy hiring a female “tracker” played by Griffith who, with the use of rocket launchers and guns against a band of sweaty dudes in armoured vehicles, seeks out the originating factory of these robot women in the desert to get our sad man protagonist a replacement for his robo-lady. Pretty close to B-rated, or even C-rated?

But that wasn’t the only one — at least that I could remember — and I slowly uncovered in this modern internet age a whole slough of B-rated “dystopian” post-apocalyptic sci-fi/adventure films all from the general time period. Riding off the backs of their more successful role model films couldn’t be the only inspiration for this phenomenon. It was the height of the Cold War after all in the late 70s to mid 80s and technology was starting to become more and more prevalent in consumer electronics: home computers and other such gadgets. The futurism of popular music and culture at the time was very prevalent. The soundtracks to most of these films are one of the few things that actually sound strange and interesting, relying mostly on synthesizers and taking elements from the disco, electro, and soundtrack-oriented styles that were popular at the time.

There’s a great number of films out there but here’s a scaled down presentation of some wonders I’ve found. Looking at them all they somehow fail to meet their ambitions in terms of substance and believability but at the same time looked like they might have been incredible fun to be involved in: running around like some rejected nightclub attendee in a wasteland and delivering the one liners left right and center…


CHERRY 2000 (1987)

The offending specimen that was mentioned earlier. In my gap of watching this from a young kid to a cynical, discerning adult (with convictions no less) it really hasn’t aged well.


EQUALIZER 2000 (1986)

This one looks a bit dated by about three or four years so that really indicates the sparse budget this one was on. This is Part 1 of 9 of the clip on YouTube. The opening soundtrack and voice-over narration are fantastic and a sort of “stereotype” of the genre. A lot of films of this ilk seem to have “2000″ or “3000″ added as a suffix to a title. This sort of naming convention is usually reserved for consumer products. Oddly enough, there’s a restaurant near my flat called Curry 2000 that I always jokingly refer to as “cyber-curry”.


2019, AFTER THE FALL OF NEW YORK (1983)

This is the intro clip to the film and is more of the same: voice over describing the tragic events leading up to the downfall of civilization coupled with panning shots of the aftermath of nuclear war.


A MAN CALLED RAGE

A pattern is developing…


WARRIORS OF THE YEAR 2072 (1984) or NEW GLADIATORS

One of the great Italian director Lucio Fulci’s forays into dystopian sci-fi. It seems like there’s a lot of Italian made films in this category. Amazing intro song that around the 30 second mark of the clip almost sounds like “To Cut A Long Story Short” by Spandau Ballet.

And this clip, isolated from the film, is priceless (good music too!)


THE NEW BARBARIANS (1982)

The trailer for this is ridiculous as there’s a grouping of these films that seem to be mindless shoot ‘em up movies with awkward looking costumes. Usually there’s a plot but it’s as simple as “we’ve got to get the water supplies from the bad guys”.


STRYKER (1983)

More shoot ‘em style. Apparently this director, Cirio H. Santiago, is the king of Mad Max rip-off films and this is one of them.


BATTLETRUCK (1982)

…and more post-apocalypse action…


EXTERMINATORS IN THE YEAR 3000 (1983)

…and MORE!!! And you wonder where Michael Bay gets all of his ideas. The quality control of this film is reflected by the blatant typo in the film title opening shot.


AMERICA 3000 (1986)

Adding a little slapstick, below-the-belt comedy and sexuality into the mix. Uh…


METAL STORM : THE DESTRUCTION OF JARED-SYN (1983)

This one is a bit of an anomaly as it takes place on another planet but the premise is still the same.


In my time picking out some of the clips above, I came across a few other gems; not necessarily in the same mold but fitting of the subject matter nonetheless.

TRANCERS (1985)

Sort of like a Bladerunner-type film with time travel involved. Some 80’s actors and actresses you might recognize including a young Helen Hunt.


ANDROID (1982)

A European sci-fi film starting the always intense Klaus Kinski on the subject matter of man and robotics.


WARRIORS OF THE APOCALYPSE

To wrap up this whole thing, I thought a fitting end would be an epic “eye laser” battle. Wow.

FUTURE LOOK AND THE CHARITY PIRATES

MilleniumThey come and stay once in a while but most of the time I forget them or sleep is so utilitarian that I totally forget them. And dreams come and go. There’s a few memorable ones that stick out in my mind over the years and these ones usually involve queen spiders with human heads haunting my aunt’s house, riding around the transit system late at night with not another soul in sight, playing cards with tall legs walking on stiletto heels, and playground slides that lead into mysterious other dimensions. Well, those are some pretty specific details and just small fragments of a bigger picture.

At this point I awoke early in the morning with memories of that most feared dream we all loath; the one where everyone you know and love despises you. It’s an absolutely depressing aftertaste to have when it’s fresh on your mind but in most cases turns to hilarity later in the day. What was I thinking? you say. I felt like an alien in my own skin. My nose hated my face and retaliated with congestion. I really needed to brush my teeth.

The usual practice is to give myself as little time as possible between getting up to leaving the house. You feel like a crusty druggy leaving your own home. Your legs don’t feel like their yours. On this particular morning it felt like elements of the dream were still there. The clouds lay low and gnarled; especially weird after being blindingly hot for a few weeks. As I walked out of my block of flats there’s a rough-edged middle-aged man growling in a Slavic language into his beat up mobile phone.

Walking down the wide sidewalk past the early morning human assembly line of street markets in the making, I found myself looking at the skyline of the city and the random chattering of voices around me. To my left I detected a couple of men approaching and walking toward me. I wasn’t really paying attention but I thought I heard one of them say; “Hey man, you look like the future!”

Laurie AndersonWas this directed toward me? I’m not sure if it was a jab at me or not. If so it’s a bit of a strange one. It leaves you feeling curious way more than being annoyed if anything. I was once called a “fucktard” out of a passing pick-up truck in Olympia WA and was told to “roll down my trousers [trouser legs]” in Epping Forest once. The former sounded like a group of kids trying to invent new swearwords in a scientific manner. The latter sounded more like something a concerned mother would say to her teenage son.

I wasn’t wearing a feather light silicon jumpsuit nor any futuristic shades equiped with flashing lights or infrared imaging technology. I was wearing a black jacket, glasses, and a button up shirt. Perhaps this announcement wasn’t addressed for me. Perhaps this might be the start to my own personal episode of the Twilight Zone.

The Underground station comes up on my right. People swarm in and out of the entrance like badly-dressed bees with no regard for one another. London isn’t a place where most people are making their flight paths with others in their vision of transit. I cut across and head down the stairs to the ticket turnstiles.

Right ahead of me is the back of a man that looked like he was dropped out of the West Indies circa 1750. The first thing that catches my eye is his long braided looks coming out of the back of a battered three-cornered “pirate” head. The rest of this man’s get-up fit the role well — working the whole One Eyed Willy look quite well. Tailed overcoat, breeches, tall boots with the foldover cuffs at the top. I turned to see him holding a plastic bucket collecting piece o’ eight for charity. At 7.30am no less. He wasn’t saying anything. Just aggressively shaking a bucket and jingling a tiny comical bell.

As an isolated incident I may have just taken a look and chuckled at the context of it all but given the low lying chain of events and moods that prevailed in my short time awake I started to feel more and more askew.

The only way to shake it off was to keep going and get some blood to that head of mine. I clocked through the turnstile and crossed the overhead walkway to the platform. My train was waiting and I seemlessly walked across that platform and onto the train, took a seat, and sat down. The brief journey from here to there at this particular time usually sees me closing my eyes and clearing my head — for some reason it seemed to be more than needed today…

FIFTEEN SHOTS ON THE DAY OF BIRTH / INVITATION

Here are fifteen photos taken sometime between two months ago and now. They were picked on impulse for a collective sense of collective aesthetics. It is also my birthday. The amount of photos as per the title equal 0.46875 of my birthday. Sometimes, I enjoy math.

INVITATION

An Invitation To Love…

X001
X001 (Digital and handmade collage. 2007.)

X001 (Digital and handmade collage. 2007.)

Over the last three or fours years, due to a select few incidents that I wish not to recollect really, I’ve lost a number of essential works,  creative pieces, and photos: some are in storage, some lost on malfunctioning hard drives, some lost at a gas station on Staten Island, NY. X001 was the first of a series of collages I was going to do — I apparently had more time and inspiration to do these things at the time, especially given the fact that it clocks in a lot of computer time. I’m already on a computer enough as it is with work, music, and various social networking functions. I really liked how this piece turned out and wanted to more. A twisted fantasy world that tapped more into the surreal, arty side of the collage work I was already doing for promoters and bands. I was planning on putting a number of these in Vexxed, a zine that I’m still spinning in the mud about actually completing. Perhaps this will happen sometime this year.

Over the last couple of years since moving to England my graphic output has become more utilitarian for the sake of income and holding a job and not so much for creating art. I think most of creative energy has been sucked into music right now and any fuel for visual work has been exhausted in the big 8-cylinder, Ford Bronco that is the mainstream “creative” industry. This will, I hope, change soon. I would love to do more art-based pieces soon as the ideas are there; it’s just the time and energy that needs to be mustered up from somewhere.

I have until recently been doing all my work since 1999 under the moniker The Wax Museum — an entity which has closed as of this year. I’m starting afresh and figuring out a best angle of approach for the new: under the name JJD Works. Some developments with this should take place sometime within the next six months.

ARCHIVE : OLD INTERVIEW / PRIMES / 2005

I can’t vouch for this being an actual journal entry per se; something that I would equate to a piece of prose, some musings on day to day things, random images, etc. but this is something nonetheless. I’ve got some things I’ve been preparing in terms of writing and images but things have been quite hectic as of late.

Over the last year I’ve been casually digging images, interviews, and written pieces about moments of my past through the world of the internet, mainly because I’ve lost a lot of things stored over the years and many of my possessions are actually still in storage. This is creating a scrapbook of sorts. From time I may post things from moments past in this space.

This is an interview I found from 2005. More so a question and answer piece. Other interviews have been found but some of them seem to be unreadable in my eyes. You can read the original article here but as things disappear from the internet here it is re-formatted for this blog:


In addition to having the most fabulously unkempt hair in Vancouver’s indie scene, Jack Duckworth is half of the duo Primes, whose recent self-titled CD is a refreshingly abrasive reminder of this city’s days as a hotbed of hard-edged industrial noise.

Best local release other than your own: “I think Ache Records is doing a pretty good job of being a cut above everybody else in terms of stuff that stands out as being influential and trying new things. It’s establishing a name for itself around the world and establishing a good DIY ethic. They put out the Piers Whyte record [Piers Whyte], which is actually a local release; they put out that Konono No. 1 record, which is this sort of street band from Congo; they put out the DFA 1979 record, on vinyl.”

Vancouver act you wish you’d had the chance to play with: “I always thought it would have been rad if I could have played with Sparkmarker in, like, 1993 or something. When I was into hardcore a lot when I was younger, that [Products and Accessories] was one of my favourite records, because it was very intense, and the vocal delivery of Ryan Scott was very strange and unique, very emotional. Good lyrics.”

Most outrageous gig of the year: “Wolf Eyes. I saw them in May [at the Media Club]. It was really fun, because they’re kind of animated on-stage. They’re kind of charming because they have this Midwest-hesher thing going on. It was interesting seeing a lot of kids actually getting into a noise show, because as much as people always say that noise is really easy to do, it’s really hard to make it so people can actually listen to it.”

You just went platinum. Where are we celebrating? “I like the Reef [4172 Main Street]. I’m down with its warm vibes. I like pretending I’m somewhere warmer. I think drinking rum and eating hot jerk tofu kind of physically makes it hotter. A couple of times when I’ve been there, there was a DJ doing rocksteady and dub and stuff like that. That adds to the vibe.”

With apologies to 50 Cent’s “Candy Shop”, which local musician do you wanna lick like a lollipop? “In terms of just good all-around positive vibes and willingness to fuck shit up, I’d like to give props to Jesse Willey from Channels 3 and 4, for just being super stoked, super excited, and just doing crazy shit and making me stoked to do music in Vancouver. And he’s a pretty hot guy. He’s got this cute little velvet jacket, kind of got sort of a surfer-dude vibe. He’s fun times.”

Where would you love to see live music on a regular basis? “I like the 100-block of West Hastings, because of all those warehouses in there, and the Church of Pointless Hysteria [formerly at 110 West Hastings Street] had been there. I go by there nowadays and there’s really not much there. It’s kind of a weird neighbourhood. It doesn’t really bide well with authorities. And some of those places, like the Church of Pointless Hysteria, were doing stuff that might have been in a grey area of the law, like serving alcohol without a licence and stuff of that nature. I always enjoyed the shows there because they were more than just going to a show and paying $15 to see a band. It was always kind of a community-oriented thing going on, so I was down with it. Regular people could book the venue and not just have it controlled by promotion companies and whatnot, and you didn’t need to have a 20-page press kit to try to book a show there.”

— September 22, 2005

YOUR HANDS ARE COLD

Satyricon

CRYPTIC GREETING

Standing underneath the roof of windows and geometrical white beams, I’m looking out for someone in the shade and into the sunlight. I have my headphones in my ears; calculated layers of texturized fuzz. I pan to the left and attempt to focus in the distance for a few seconds when I feel a tap on my right shoulder. There is a somewhat unkempt man in an orange t-shirt motioning me to take my headphones. I do and then look at him cautiously.

“Nice day out, isn’t it?” he says.
“Sure.”
“How are you today? And why are you standing in this shade?”
He reaches out to shake my hand to which I automatically comply.
“Wow, why are are your hands cold?” he says.
“That’s because I am dead.” I replied.
“Ha ha ha. Funny one. Hey there mate, you wouldn’t happen to have any change you could lend a guy, huh?”
“No.” I reply flatly.
With that instance the ‘long lost buddy’ front drops and he’s turned on his heels and gone elsewhere. I don’t think my dry humour helped either.

And I think he may have grumbled something under his breath, perhaps the word ‘prick’ but I wasn’t quite sure. This individual had just as much of a right, perhaps even more of a right, to confront my space to ask for resources and time as much as an advertising billboard or a sales representative on the street but they might not be getting the reaction or results they’re looking for.

DISCONNECTION

There’s been some certain unsettled feeling that I’ve been trying to pinpoint for a while. It’s not entirely easy to know exactly what it is. I supposed my most recent trip back to Vancouver shifted the dynamic of this in a way that might come out to a resolve. The feeling can be represented with this epic metaphor: climbing out of a boat and onto the ladder of a helicopter. I’ve been on the boat for a long time. A lot of familiar friends and people were on the boat. Plenty of drink to go around. Many great times and memories have happened on this boat. But the boat is a pleasure cruiser with a certain ceiling and there’s more to this life than nautical miles, looking out starboard and funny white captain hats. It’ll be going the same way for a long time.

I look around and make out a helicopter and despite the difficult logistics of climbing out of a boat and into a helicopter. Getting ready takes a long time and my fellow boaters aren’t certain that I’m actually going to go ahead with it. The helicopter lowers to the boat and I’m starting to reach up. There’s this long, strenuous period — quite dark — not a lot of fun, destitute and painful. There’s a lot of different things in that time, in the actual transition, that are painful and too weird and numerous to mention.

I think I’ve been dragging out the metaphor for a while and am loosing focus on it. I realized that my return trip got me to re-connect with certain people, certain elements of that time but it’s definitely not the same. I’m making good footing where I am now and making a home somewhere else. The past can stay where it is, really. There’s plenty of artifacts in my life that will provide a document of it: thrashy old songs, beat up journals, bad jokes that still have staying power after 5-10 years, correspondence once in a while, and the same goals and ideals going into this new decade. The disconnection will always be there, but now I know there’s a whole lot more things up in the helicopter…

WHAT KIND OF TICKS?

The VSS - Nervous Circuits LPThis is a bit of a stepping stone of a post but I came across this little gem of a post, giving something out for free to the world. This something is the one album put out by the band, The VSS. The album is called “Nervous Circuits”. This album is one of my favourite records of all time.

Notoriously out of print for 10 years and then recently re-released by Hydrahead in 2008, it’s now available as free, approved download from the Pukekos website; a site I frequent often enough as it seems to be an archive of a lot of things musically I was listening to in my early 20s. To quote:

“I first heard Nervous Circuits in December of 1996. It was a dub of a dub of rough mixes that we listened to on my car stereo, the audio quality left a lot to be desired but that wasn’t why we were listening. Leaks were harder to come by in those days, etc.

The VSS were like The Velvet Underground — not many people saw them or heard the records, but those who did all started bands or labels. This was a different era when to go on tour was literally to take the message to the people. The only way to find out about new bands was to go see them — if you were lucky enough to know about the show. Zines with ads for the tour would be be hit with delays and not come out until after it was over. If you were out of the loop, you missed it. It was an inscrutable world, and the only way to gain entry was to meet someone who already knew about it.”

And on the subject of music, archives, and that sort of thing — I’ve managed to squeeze in time (usually the last twilight hour before I force myself to go to sleep) in midst of everything else going on to put some work on some new White Lodge Podcasts. There’s three! And they’re fun. This will be announced soon enough for the small fraction of the world that has an interest in listening.