Film Klub

Repo Man

06 December 2014

Repo Man | Cover ImageSo, this little corner of the website has been in the deep freeze for around, oh, six months now. It’s not like there’s been nothing to post. There’s literally a cathode ray tube army of films that I could in theory stuff into this thing but to be honest, I just haven’t had the time between all the music happenings, work (design) happenings and getting-off-the-computer-and-doing-non-computer things happenings.

To kick this Film Klub section into some action, I thought I’d post a little overview about a great film in a category that I call “sci-fi punk”: Repo Man! It’s a pretty common film in North America, and it’s likely most people I know back home that have a vague interest in this sort of thing have seen it but it isn’t so commonly viewed in Europe.

The Saddest Music In the World : TitleLet’s change up things a bit here and write about a film that’s a) been produced within the last 10-15 years and b) that’s got a sense of humour to it, especially after the last two entries in this Filmklub section have been a bit heavy handed. I actually do have a complex sense of humour (well, at least I think I do) that teeters in the colour “black” quite a bit.

The Saddest Music In The World, which premiered in 2003, is likely the most well-known films by Guy Maddin, a director based out of Winnipeg, Canada. All of his films have a very trademark style, which emulates the old expressionist silent films of the 1920s and pairs them up with a more fantastical, cut-up art school sensibility. I saw the film shortly after it came out and I have to admit I was only vaguely aware of him before that time, and I mainly endeavoured to see the film merely based on the seemingly monumental weight of the film’s title. “What is the saddest music in the world? What an odd title…”


Altered States

20 March 2014

Altered States - Featured ImageAt the very beginning of the year I had procured a copy of a Ken Russell biography with the ridiculous title of Phallic Frenzy. It was found in a charity shop in some distant London suburb called West Wickham. Actually, there were a number of interesting books found there but this is the one I’ve started reading. Given that I thought it would be grand to log in an entry about my favourite of Russell’s films, and I’ve seen the majority of them.

Whereas Russell’s more familiar “trademark” work revolves around music, in particular giving a campy, rock-n-roll spin to classic composers complete with lots of sexualised, surrealistic symbolic imagery, Altered States, while keeping a lot of those trademarks, is a more sinister science-fiction based film.


The Last Wave

11 March 2014

Film_142w_LastWave_originalSo far this year of two-thousand and fourteen has been a bit bitter. I’ve been more and more reluctant to engage in personal affairs through the online medium, but it’s definitely been a struggle to fend of large and colossal waves of misanthropy about the state of world, and the creeping demons that linger around in London in the form of money, gentrification and… well, I don’t need to go into it. Maybe things come in waves and I’ll find inspiration again soon, as it has before. Maybe I need some sort of shaking out of habit. Who knows.



01 March 2014

Morgiana 01There’s nothing like a good ol’ fashioned jealousy-and-revenge story and there’s nothing like a good ol’ fashioned poisoning to provide some late night entertainment. That is all provided in Morgiana, a 1972 gothic/horror film by then Czechoslovak director Juraj Herz. I understand this this film is from the later “Czech New Wave” period and falls in line with similar films like Valerie And Her Week Of Wonders by another Czech director, Jamoril Jireš, or even Herz’s other films (which I have yet to see) like Petrolejové lampy (Oil Lamps) or Spalova? mrtvol (The Cremator).