This is a Film Klub entry that covers two films: Les Maîtres Du Temps (1982) and Gandahar (1987) both created by the French animator René Laloux. For the anglophones out there, you might remember these films by their English titles; The Time Masters and Light Years. Both films were originally done in French and then overdubbed for the English versions of the films.
Laloux is also well known for his debut animated film, Fantastic Planet.
The reason for stuffing two films into one entry, beyond sharing the same creator, is that last night I finally got around to viewing the documentary Jodorowsky’s Dune, which was actually quite interesting to watch, namely due to Jodorowsky’s intense, animated nature throughout the film’s interviews as well as the way the original artist drawings were presented (animated from the original stills) as well the synthesizer-heavy soundtrack by american punk/hardcore musician Kurt Stenzel.
Filed under News
10 December 2014
It’s coming to that time of year where things slow down quite a bit. The weather is brisk, cold and biting and we all tend to hole up and re-focus for the coming new year. I’ve been spending a lot of time preparing things for 2015, including a new record. So while we take “five” over the holidays, here’s a chance to download all the Soft Riot “version” remixes that have been created over the last couple of years. This opportunity to download any of the tracks off this link will be open until the evening of December 24th so feel free to check it out.
Within contains remixes by Lebanon Hanover, Attrition, TSTI, A Terrible Splendour, Keluar, Babe Rainbow, Női Kabát, Split Personalities (I/II), Window Twins, Hoover and more…
This entry is based on an event I call a “happy accident”, in where I stumbled across this film accidentally. It was around two or three years ago now and I was up late some weeknight on my own. We had a film-on-demand service where the film selections were generally odd B-Movies that we included in the package with no logic as to why these movies were included in the package.
The Shout was in there, and I basically chose to watch it because (a) it had interesting cover art, (b) John Hurt and Susannah York were in it and (c) I recognised the director’s name; Jerzy Skolimowski. He had done other films I recognised, including the 1970 film Deep End, a coming-of-age type of film about two young adults (one being a young Jane Asher) who worked in a public bath house in West London.
Back to the film on topic… The Shout fits into a category I call “British folk horror”, which are films with either somewhat pagan themes, hauntings or witchcraft that take place in the British countryside and, well, are very British. The Wickerman is an obvious favourite, and so are TV serials from around that time like Children Of The Stones or Sky. The film itself is based on a short horror story by the classic British poet and novelist, Robert Graves.
So, this little corner of the website has been in the deep freeze for around, oh, six months now. It’s not like there’s been nothing to post. There’s literally a cathode ray tube army of films that I could in theory stuff into this thing but to be honest, I just haven’t had the time between all the music happenings, work (design) happenings and getting-off-the-computer-and-doing-non-computer things happenings.
To kick this Film Klub section into some action, I thought I’d post a little overview about a great film in a category that I call “sci-fi punk”: Repo Man! It’s a pretty common film in North America, and it’s likely most people I know back home that have a vague interest in this sort of thing have seen it but it isn’t so commonly viewed in Europe.
A South American music blog called The Blog That Celebrates Itself (a reference to the early 90s “shoegaze” movement) recently got in touch to do an interview about all things Soft Riot. The introduction to the interview is in Portuguese with the actual interview itself in English. Here’s the result:
Q. When did Soft Riot start? Tell us about the history.
The Soft Riot that is out releasing records and playing shows today is pretty different than the one that started a long time ago. It was around the mid-2000s, when I was playing in other synth-punk and post-punk bands that I wanted to do something a bit more minimal and atmospheric. I was really into stuff like early 4AD releases, Kranky records, John Foxx, Ike Yard and that sort thing and looking to do something vaguely in that arena. I recorded some demos in 2006 under the name JJ Wax and did one show in Vancouver (where I’m from originally) with two friends of mine as a backing band. It was an alright show. Someone called me “Trent Reznor” from the audience which I thought was funny.